A Study by Scott Sperling Psalm 42-43 - Why So Downcast?   For the director of music. A maskil of the sons of Korah.   42:1 As the deer pants for streams of water, so my soul pants for you, O God. 2 My soul thirsts for God, for the living God. When can I go and meet with God? 3 My tears have been my food day and night, while men say to me all day long, “Where is your God?”   4 These things I remember as I pour out my soul: how I used to go with the multitude, Leading the procession to the house of God, with shouts of joy and thanksgiving among the festive throng.   5 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise H im, my Savior and 6 my God.   My soul is downcast within me; therefore I will remember you From the land of the Jordan, the heights of Hermon—from Mount Mizar. 7 Deep calls to deep in the roar of Your waterfalls; all Your waves and breakers have swept over me. 8 By day the Lord directs His love, at night His song is with me— a prayer to the God of my life.     9 I say to God my Rock, “Why have you forgotten me? Why must I go about mourning, oppressed by the enemy?”   10 My bones suffer mortal agony as my foes taunt me, Saying to me all day long, “Where is your God?”   11 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise him, my Savior and my God.   43:1 Vindicate me, O God, and plead my cause against an ungodly nation; rescue me from deceitful and wicked men.   2 You are God my stronghold. Why have you rejected me? Why must I go about mourning, oppressed by the enemy?   3 Send forth your light and your truth, let them guide me; Let them bring me to your holy mountain, to the place where you dwell. 4 Then will I go to the altar of God, to God, my joy and my delight. I will praise you with the harp, O God, my God.   5 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise Him, my Savior and my God.   We will look at these two psalms together, because Psalm 43 is a continuation of Psalm 42.  In fact, these two psalms may have been, at one time, just one psalm.  These two psalms depict David’s distress at being away from fellowship with the true worshippers of God during his banishment from Jerusalem. “This is the song of an exile, and moreover, of an exile among enemies who have no sympathy with his religious convictions” [Morgan, 82]. “It is the cry of a man far removed from the outward ordinances and worship of God, sighing for the long-loved house of his God” [Spurgeon, 270]. The inscription calls the psalm “A maskil of the Sons of Korah.”  The “Sons of Korah” were a Levitical family of musicians and singers. Though this psalm is not explicitly attributed to David, most commentators believe that David wrote these psalms for the “Sons of Korah” to perform in the worship of God.  David seems to be the author because the style and themes of the psalms are similar to many psalms explicitly attributed to David.  Also, these psalms depict a worshiper of God in banishment, as David was on two occasions.  Commentators are divided on whether the psalms depict the banishment when David was fleeing from Saul, or when he was fleeing from Absalom. David begins by expressing the depth of his longing to worship God:  “As the deer pants for streams of water, so my soul pants for you, O God.  My soul pants for God, for the living God.  When can I go and meet with God?” (vss. 1–2).  David compares his desire to worship God with the thirst of a deer for water.  Thirst is the second strongest bodily desire (behind the need for air).  For David, the need for the worship of God for his soul is as essential as the need for water for his body.  Can we say the same thing?  Such a desire does not come instantaneously, for the asking.  It must be cultivated, just as our love for God must be cultivated.  Meditate on the goodness of God.  Commune with Him through prayer.  Worship Him at every opportunity.  Pray that the Holy Spirit would increase your love for God. We take for granted the fact that we can worship God anytime, anyplace.  We can do this because we have the gift of the Holy Spirit within us.  In David’s time, the Holy Spirit dwelt in the tabernacle in Jerusalem, and so, the worship of God was physically centered at the tabernacle.  And so, though David, in his banishment, could pray to God, and sing praises, he did not feel that he was able to worship God, because he was physically separated from the Holy Spirit’s presence.  Let us not forget how great a gift by Jesus the gift of the Holy Spirit was for His people:  to be able to worship the Lord anytime and anyplace, at will. In his sorrow, David was not consoled very well by those around him:  “My tears have been my food day and night, while men say to me all day long, ‘Where is your God?’” (vs. 3).  Rather than consoling David in his longing for God, those around him were trying to engender doubt about the goodness of God, by asking David in his time of trouble, “Where is your God?”  This is the way of the world.  Those of the world jump at the chance to denigrate the true and living God, and to stumble His worshipers. David ignores the mocking questions of those around him, and brings to mind the joy of worship:  “These things I remember as I pour out my soul:  how I used to go with the multitude, leading the procession to the house of God, with shouts of joy and thanksgiving among the festive throng”  (vs. 4).  Though we can worship in spirit and truth anytime and anywhere, yet it is a grand thing, even for us, to worship together with God’s people.  There is nothing that touches the heart of a believer more than hundreds of voices raised in worship to our beloved Lord, to be in the midst of “shouts of joy and thanksgiving among the festive throng.” This remembrance rallies David’s mind, but the consolation has not yet reached his soul.  And so, David rebukes his soul:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 5). “His faith reasons with his fears, his hope argues with his sorrows” [Spurgeon, 272].  David tries to convince his soul to look to the hope of the future:  “Put your hope in God.”  David trusts that the Lord will bring him to a place of joy:  “…for I will yet praise Him, my Savior and my God.” “The only means of remedying discouragements and unquietness of mind, is to set faith on work to go to God and take hold of Him, and to cast anchor within the veil, hoping for, and expecting, relief from Him” [Dickson, 237]. Unfortunately for David, his rebuke of his soul does not immediately take effect:  “My soul is downcast within me” (vs. 6).  So, as a further remedy, David remembers the work of God in his life: “Therefore I will remember you from the land of the Jordan, the heights of Hermon—from Mount Mizar” (vs. 6).  At first, David sees the trials that God has sent:  “Deep calls to deep in the roar of Your waterfalls; all Your waves and breakers have swept over me” (vs. 7).  But, then, David feels acutely the loving presence of his Lord, even in the midst of these troubles:  “By day the Lord directs His love, at night His song is with me—a prayer to the God of my life” (vs. 8). And yet, the next moment, David doubts once again:  “I say to God my Rock, ‘Why have you forgotten me?  Why must I go about mourning, oppressed by the enemy?’” (vs. 9).  Again, in David’s mind, he realizes that God is his “Rock”, the steady, unchanging foundation of his life.  And yet, his soul cries out:  “Why have you forgotten me?”  His enemies contribute to his lapse of faith, instilling doubt:  “My bones suffer mortal agony as my foes taunt me, saying to me all day long, ‘Where is your God?’” (vs. 10). Psalm 42 ends with David, once again, rebuking his soul, trying to pull it out of desperation:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 11).  Psalm 43 picks up where Psalm 42 left off.  David pleads his case before God, expressing his righteousness in the situation:  “Vindicate me, O God, and plead my cause against an ungodly nation; rescue me from deceitful and wicked men”  (vs. 1).  This is an appeal to God’s righteousness.  David is, in effect, saying to God:  “You are a just God.  I am right in this situation.  So protect me!”  To appeal to attributes of God’s nature is a very effective prayer technique . David continues to appeal to God’s nature:  “You are God my stronghold.  Why have you rejected me?  Why must I go about mourning, oppressed by the enemy?”  Then again, as in Psalm 42, David expresses his goal, that is, to return to his worship of God at the tabernacle:  “Send forth your light and your truth, let them guide me;  let them bring me to your holy mountain, to the place where you dwell.  Then will I go to the altar of God, to God, my joy and my delight.  I will praise you with the harp, O God, my God” (vss. 3–4). David ends the psalm, as he did in Psalm 42, with an appeal from his mind to his soul, trying to revive his soul and pull it out of dejection:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 5).  We can learn from this that even the strongest of believers is subject to long periods of affliction and dejection.   ----------- Bibliography and Suggested Reading Alexander,   Joseph   Addison.   The   Psalms   Translated   and   Explained .      Edinburgh:   Andrew   Elliot, 1864.  Anonymous.      A   Plain   Commentary   on   the   Book   of   Psalms .   Philadelphia:      Henry   Hooker   and   Co., 1857. Barnes, Albert.  Notes on the Book of Psalms .  New York:  Harper & Brothers Publishing, 1871. Bonar,   Andrew.   Christ   and   His   Church   in   the   Book   of   Psalms .      New   York:      Robert   Carter   & Brothers, 1860. Calvin,   John.      A   Commentary   on   the   Book   of   Psalms .      3   Vols.      Oxford:   D.   A.   Talboys,   1840. (Originally published in Latin in 1557).  Clarke,   Adam.   The   Holy   Bible   with   a   Commentary   and   Critical   Notes .      Vol.   III.      London:      William Tegg & Co., 1854.  (Originally published in 1831).  Cowles,   Henry.      The   Psalms   with   Notes,   Critical,   Explanatory   and   Practical .      New   York:      D. Appleton & Co., 1872. Darby, John Nelson.  Practical Reflections on the Psalms .  London:  Robert L. Allan, 1870. Delitzsch,   Franz.      Biblical   Commentary   on   the   Psalms.   Edinburgh:      T   &   T   Clark,   1892.   (Originally published in 1860). Dickson,   David.   An   Explication   of   the   Other   Fifty   Psalms,   from   Ps.   50   to   Ps.   100.   Cornhill,   U.K.:     Ralph Smith, 1653.  Exell,   Joseph   S.   and   Henry   Donald   Spence-Jones,   eds.   The   Pulpit   Commentary .   Vols.   17,   18,   & 19. New York: Funk & Wagnalls Company, 1884.  Hengstenberg, F. W.  Commentary on the Psalms .  Edinburgh:  T & T Clark, 1864. Henry,   Matthew.      An   Exposition   of   All   the   Books   of   the   Old   and   New   Testament .      Vol.   II.      London: W. Baynes, 1806. (Originally published in 1710). Horne,   George.   A   Commentary   on   the   Book   of   Psalms.       New   York:      Robert   Carter   &   Brothers, 1854. Jamieson,   Robert;   Fausset,   A.   R.;   Brown,   David.      A   Commentary:   Critical,   Experimental,   and Practical on the Old and New Testaments.   Glasgow:  William Collins, Queen’s Printer, 1863. Kidner,   Derek.   Psalms    (in   2   Vols.).   Downers   Grove,   IL:   InterVarsity   Press,   2008   (first   published in 1975). Kirkpatrick,   A.   F.   The   Book   of   Psalms   with   Introduction   and   Notes   –   Books   II   and   III    (from   The Cambridge Bible for Schools and Colleges). Cambridge, UK: University Press, 1895. Lange,   John   Peter,   ed.   and   Philip   Schaff,   trans.      A   Commentary   on   the   Holy   Scriptures:   Critical, Doctrinal, and Homiletical .  New York:  Charles Scribner & Co., 1865.  Maclaren,   Alexander.   The   Psalms    (in   3   Vols.,   from   The   Expositor’s   Bible,   ed.   by   W.   R.   Nicoll). New York: A. C. Armstrong and Son, 1901. Perowne,   J.   J.   Stewart.      The   Book   of   Psalms:      A   New   Translation   with   Explanatory   Notes .      London:     George Bell & Sons, 1880. Plumer, William S.  Studies in the Book of Psalms .  Philadelphia:  J. B. Lippincott & Co., 1872. Scott, Thomas. Commentary on the Holy Bible , Vol. III. London: James Nisbet, 1866. Spurgeon, Charles.  The Treasury of David .  6 Vols.  London: Marshall Brothers, Ltd., 1885. Tholuck, Augustus.      A   Translation   and   Commentary   of   the   Book   of   Psalms .      Philadelphia:      Martien, 1858. Trapp,    John.        A    Commentary    on    the    Old    and    New    Testaments .    Vol.    II    (Ezra    to    Psalms).      Edmonton,   Canada:   Still   Waters   Revival   Books   (www.PuritanDownloads.com).   (Originally published c. 1660). VanGemeren,   Willem   A.,   (Gaebelein,   Frank   E.,   ed).      Expositor’s   Bible   Commentary ,   Vol.   5   Psalms to Song of Songs.  Grand Rapids, MI:  Zondervan, 1991. -- Most   of   these   books   (those   in   the   public   domain)   can   be   downloaded,   free   of   charge,   from   the Classic Christian Library,  at: http://www.ClassicChristianLibrary.com                          
© 1994-2017, Scott Sperling
A Study by Scott Sperling Psalm 42-43 - Why So Downcast?   For the director of music. A maskil of the sons of Korah.   42:1 As the deer pants for streams of water, so my soul pants for you, O God. 2 My soul thirsts for God, for the living God. When can I go and meet with God? 3 My tears have been my food day and night, while men say to me all day long, “Where is your God?”   4 These things I remember as I pour out my soul: how I used to go with the multitude, Leading the procession to the house of God, with shouts of joy and thanksgiving among the festive throng.   5 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise H im, my Savior and 6 my God.   My soul is downcast within me; therefore I will remember you From the land of the Jordan, the heights of Hermon—from Mount Mizar. 7 Deep calls to deep in the roar of Your waterfalls; all Your waves and breakers have swept over me. 8 By day the Lord directs His love, at night His song is with me— a prayer to the God of my life.     9 I say to God my Rock, “Why have you forgotten me? Why must I go about mourning, oppressed by the enemy?”   10 My bones suffer mortal agony as my foes taunt me, Saying to me all day long, “Where is your God?”   11 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise him, my Savior and my God.   43:1 Vindicate me, O God, and plead my cause against an ungodly nation; rescue me from deceitful and wicked men.   2 You are God my stronghold. Why have you rejected me? Why must I go about mourning, oppressed by the enemy?   3 Send forth your light and your truth, let them guide me; Let them bring me to your holy mountain, to the place where you dwell. 4 Then will I go to the altar of God, to God, my joy and my delight. I will praise you with the harp, O God, my God.   5 Why are you downcast, O my soul? Why so disturbed within me? Put your hope in God, for I will yet praise Him, my Savior and my God.   We will look at these two psalms together, because Psalm 43 is a continuation of Psalm 42.  In fact, these two psalms may have been, at one time, just one psalm.  These two psalms depict David’s distress at being away from fellowship with the true worshippers of God during his banishment from Jerusalem. “This is the song of an exile, and moreover, of an exile among enemies who have no sympathy with his religious convictions” [Morgan, 82]. “It is the cry of a man far removed from the outward ordinances and worship of God, sighing for the long-loved house of his God” [Spurgeon, 270]. The inscription calls the psalm “A maskil of the Sons of Korah.”  The “Sons of Korah” were a Levitical family of musicians and singers. Though this psalm is not explicitly attributed to David, most commentators believe that David wrote these psalms for the “Sons of Korah” to perform in the worship of God.  David seems to be the author because the style and themes of the psalms are similar to many psalms explicitly attributed to David.  Also, these psalms depict a worshiper of God in banishment, as David was on two occasions.  Commentators are divided on whether the psalms depict the banishment when David was fleeing from Saul, or when he was fleeing from Absalom. David begins by expressing the depth of his longing to worship God:  “As the deer pants for streams of water, so my soul pants for you, O God.  My soul pants for God, for the living God.  When can I go and meet with God?” (vss. 1–2).  David compares his desire to worship God with the thirst of a deer for water.  Thirst is the second strongest bodily desire (behind the need for air).  For David, the need for the worship of God for his soul is as essential as the need for water for his body.  Can we say the same thing?  Such a desire does not come instantaneously, for the asking.  It must be cultivated, just as our love for God must be cultivated.  Meditate on the goodness of God.  Commune with Him through prayer.  Worship Him at every opportunity.  Pray that the Holy Spirit would increase your love for God. We take for granted the fact that we can worship God anytime, anyplace.  We can do this because we have the gift of the Holy Spirit within us.  In David’s time, the Holy Spirit dwelt in the tabernacle in Jerusalem, and so, the worship of God was physically centered at the tabernacle.  And so, though David, in his banishment, could pray to God, and sing praises, he did not feel that he was able to worship God, because he was physically separated from the Holy Spirit’s presence.  Let us not forget how great a gift by Jesus the gift of the Holy Spirit was for His people:  to be able to worship the Lord anytime and anyplace, at will. In his sorrow, David was not consoled very well by those around him:  “My tears have been my food day and night, while men say to me all day long, ‘Where is your God?’” (vs. 3).  Rather than consoling David in his longing for God, those around him were trying to engender doubt about the goodness of God, by asking David in his time of trouble, “Where is your God?”   This is the way of the world.  Those of the world jump at the chance to denigrate the true and living God, and to stumble His worshipers. David ignores the mocking questions of those around him, and brings to mind the joy of worship:  “These things I remember as I pour out my soul:  how I used to go with the multitude, leading the procession to the house of God, with shouts of joy and thanksgiving among the festive throng”  (vs. 4).  Though we can worship in spirit and truth anytime and anywhere, yet it is a grand thing, even for us, to worship together with God’s people.  There is nothing that touches the heart of a believer more than hundreds of voices raised in worship to our beloved Lord, to be in the midst of “shouts of joy and thanksgiving among the festive throng.” This remembrance rallies David’s mind, but the consolation has not yet reached his soul.  And so, David rebukes his soul:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 5). “His faith reasons with his fears, his hope argues with his sorrows” [Spurgeon, 272].  David tries to convince his soul to look to the hope of the future:  “Put your hope in God.”  David trusts that the Lord will bring him to a place of joy:  “…for I will yet praise Him, my Savior and my God.” “The only means of remedying discouragements and unquietness of mind, is to set faith on work to go to God and take hold of Him, and to cast anchor within the veil, hoping for, and expecting, relief from Him” [Dickson, 237]. Unfortunately for David, his rebuke of his soul does not immediately take effect:  “My soul is downcast within me” (vs. 6).  So, as a further remedy, David remembers the work of God in his life: “Therefore I will remember you from the land of the Jordan, the heights of Hermon—from Mount Mizar” (vs. 6).  At first, David sees the trials that God has sent:  “Deep calls to deep in the roar of Your waterfalls; all Your waves and breakers have swept over me” (vs. 7).  But, then, David feels acutely the loving presence of his Lord, even in the midst of these troubles:  “By day the Lord directs His love, at night His song is with me—a prayer to the God of my life” (vs. 8). And yet, the next moment, David doubts once again:  “I say to God my Rock, ‘Why have you forgotten me?  Why must I go about mourning, oppressed by the enemy?’” (vs. 9).  Again, in David’s mind, he realizes that God is his “Rock”, the steady, unchanging foundation of his life.  And yet, his soul cries out:  “Why have you forgotten me?”  His enemies contribute to his lapse of faith, instilling doubt:  “My bones suffer mortal agony as my foes taunt me, saying to me all day long, ‘Where is your God?’” (vs. 10). Psalm 42 ends with David, once again, rebuking his soul, trying to pull it out of desperation:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 11).  Psalm 43 picks up where Psalm 42 left off.  David pleads his case before God, expressing his righteousness in the situation:  “Vindicate me, O God, and plead my cause against an ungodly nation; rescue me from deceitful and wicked men” (vs. 1).  This is an appeal to God’s righteousness.  David is, in effect, saying to God:  “You are a just God.  I am right in this situation.  So protect me!”  To appeal to attributes of God’s nature is a very effective prayer technique . David continues to appeal to God’s nature:  “You are God my stronghold.  Why have you rejected me?  Why must I go about mourning, oppressed by the enemy?”  Then again, as in Psalm 42, David expresses his goal, that is, to return to his worship of God at the tabernacle:  “Send forth your light and your truth, let them guide me;  let them bring me to your holy mountain, to the place where you dwell.  Then will I go to the altar of God, to God, my joy and my delight.  I will praise you with the harp, O God, my God” (vss. 3–4). David ends the psalm, as he did in Psalm 42, with an appeal from his mind to his soul, trying to revive his soul and pull it out of dejection:  “Why are you downcast, O my soul?  Why so disturbed within me?  Put your hope in God, for I will yet praise Him, my Savior and my God” (vs. 5).  We can learn from this that even the strongest of believers is subject to long periods of affliction and dejection.   ----------- Bibliography and Suggested Reading Alexander,     Joseph     Addison.     The     Psalms     Translated     and Explained .  Edinburgh: Andrew Elliot, 1864.  Anonymous.        A    Plain    Commentary    on    the    Book    of    Psalms . Philadelphia:  Henry Hooker and Co., 1857. Barnes,    Albert.        Notes    on    the    Book    of    Psalms .        New    York:      Harper & Brothers Publishing, 1871. Bonar,   Andrew.   Christ   and   His   Church   in   the   Book   of   Psalms .     New York:  Robert Carter & Brothers, 1860. Calvin,   John.      A   Commentary   on   the   Book   of   Psalms .      3   Vols.     Oxford:   D.   A.   Talboys,   1840.   (Originally   published   in   Latin in 1557).  Clarke,   Adam.   The   Holy   Bible   with   a   Commentary   and   Critical Notes .        Vol.    III.        London:        William    Tegg    &    Co.,    1854.      (Originally published in 1831).  Cowles,   Henry.      The   Psalms   with   Notes,   Critical,   Explanatory and Practical .  New York:  D. Appleton & Co., 1872. Darby,    John    Nelson.        Practical    Reflections    on    the    Psalms .      London:  Robert L. Allan, 1870. Delitzsch,     Franz.          Biblical     Commentary     on     the     Psalms. Edinburgh:        T    &    T    Clark,    1892.    (Originally    published    in 1860). Dickson,   David.   An   Explication   of   the   Other   Fifty   Psalms,   from Ps. 50 to Ps. 100. Cornhill, U.K.:  Ralph Smith, 1653.  Exell,    Joseph    S.    and    Henry    Donald    Spence-Jones,    eds.    The Pulpit   Commentary .   Vols.   17,   18,   &   19.   New   York:   Funk   & Wagnalls Company, 1884.  Hengstenberg,   F.   W.      Commentary   on   the   Psalms .      Edinburgh:     T & T Clark, 1864. Henry,   Matthew.      An   Exposition   of   All   the   Books   of   the   Old   and New     Testament .          Vol.     II.          London:     W.     Baynes,     1806. (Originally published in 1710). Horne,   George.   A   Commentary   on   the   Book   of   Psalms.       New York:  Robert Carter & Brothers, 1854. Jamieson,     Robert;     Fausset,     A.     R.;     Brown,     David.          A Commentary:   Critical,   Experimental,   and   Practical   on   the   Old and   New   Testaments.       Glasgow:      William   Collins,   Queen’s Printer, 1863. Kidner,    Derek.    Psalms     (in    2    Vols.).    Downers    Grove,    IL: InterVarsity Press, 2008 (first published in 1975). Kirkpatrick,   A.    F.    The    Book    of    Psalms    with    Introduction    and Notes    –    Books    II    and    III     (from    The    Cambridge    Bible    for Schools    and    Colleges).    Cambridge,    UK:    University    Press, 1895. Lange,   John   Peter,   ed.   and   Philip   Schaff,   trans.      A   Commentary on    the    Holy    Scriptures:    Critical,    Doctrinal,    and    Homiletical .      New York:  Charles Scribner & Co., 1865.  Maclaren,    Alexander.    The    Psalms     (in    3    Vols.,    from    The Expositor’s    Bible,    ed.    by    W.    R.    Nicoll).    New    York:   A.    C. Armstrong and Son, 1901. Perowne,   J.   J.   Stewart.      The   Book   of   Psalms:      A   New   Translation with Explanatory Notes .  London:  George Bell & Sons, 1880. Plumer,   William   S.      Studies   in   the   Book   of   Psalms .      Philadelphia:     J. B. Lippincott & Co., 1872. Scott,   Thomas.   Commentary   on   the   Holy   Bible ,   Vol.   III.   London: James Nisbet, 1866. Spurgeon,   Charles.      The   Treasury   of   David .      6   Vols.      London: Marshall Brothers, Ltd., 1885. Tholuck,   Augustus.      A   Translation   and   Commentary   of   the   Book of Psalms .  Philadelphia:  Martien, 1858. Trapp,   John.      A   Commentary   on   the   Old   and   New   Testaments . Vol.   II   (Ezra   to   Psalms).      Edmonton,   Canada:   Still   Waters Revival    Books    (www.PuritanDownloads.com).    (Originally published c. 1660). VanGemeren,   Willem A.,   (Gaebelein,   Frank   E.,   ed).      Expositor’s Bible   Commentary ,   Vol.   5   –   Psalms   to   Song   of   Songs.      Grand Rapids, MI:  Zondervan, 1991. -- Most    of    these    books    (those    in    the    public    domain)    can    be downloaded,    free    of    charge,    from    the    Classic    Christian Library,  at: http://www.ClassicChristianLibrary.com                          
Made with Xara © 1994-2017, Scott Sperling